read
read
© photo by Alain Julien
ensemble]h[iatus Géraldine Keller • voice
Angelika Sheridan • flutes
Isabelle Duthoit • clarinet & voice
Tiziana Bertoncini • violin
Martine Altenburger • cello
Fabrice Charles • trombone
Carl Ludwig Hübsch • tuba
Lê Quan Ninh • percussion
Thomas Lehn • piano & analogue synthesizer
^
about
ensemble]h[iatus
A multidisciplinary orientated performance practice of Contemporary Music is one of the main characteristics of the french-german-italian ensemble]h[iatus, which had been founded in 2006 by the cellist Martine Altenburger and the percussionist Lê Quan Ninh.
The special feature of this ensemble is that all its members are both, interpreters and improvisers. In addition to this duality, they also show a widely spread creative background: in a multifaceted way, all ensemble members work in various areas such as composition, electro-acoustic music, computer music, sound art, installation art, performance, theatre, music theatre, dance, multimedia, etc.
The ensemble]h[iatus's desire is to share their unique vision of contemporary music, gained through their extensive experience in the field of performance and improvisation. For the Ensemble, music does not simply emanate from those who write it, but also from those who perform it. Their daily contact with sound means they feel and understand the music's transformations, something which can only be attained through patient proximity to both the compositions and the instruments.
In effect, an improviser's approach to sound is very different to that of non-improvisational musicians. Improvising means primarily questioning all previous use and experience of the instrument. It thus becomes a tool for creation, a tool which allows the musician to create his or her own poetry in ever changing artistic productions, and to forge a natural relationship with other media such as dance, video, cinema, fine arts...
The projects presented by the ensemble reflect these artistic orientations entirely: instead of simply performing repertory pieces from the 20th and 21st century, the ensemble]h[iatus creates concert programmes – non-interrupted by breaks or applauses – which embrace performances of repertoire or commissioned compositions alternated and/or juxtaposed with improvisations by the ensemble. Realisations of performative, multimedia, text-based or graphic works belong to the spectrum of the collectively developed work.
Another central and ongoing interest of the ensemble is to seek for close collaborations with the composers. Various commissioned works have been written for and premiered by the ensemble]h[iatus.
The first full CD of the ensemble has been published by the French label Césaré in February 2017. This release includes three pieces by Austrian composer Peter Jakober and improvisations by the ensemble]h[iatus. Interpretations of works by Jennifer Walshe and Anthony Pateras had been as well published on CDs. A new release with Jürg Frey's Je laisse à la nuit son poids d’ombres is currently in work.
www.ensemble-hiatus.eu
^
selected projects & premieres
2022
Brauchen (2022) for ensemble and tape
by Peter Jakober (*1977)
premiere: November 11, 2022 at Reaktor, Vienna, Austria
during 35th edition of Wien Modern festival
Production: Konnektom
coproduction: Reaktor, Wien Modern and Association Ryoanji
Impossible Artists feat. <…> (2022) for any number of instruments and stereo audio track
by Marco Döttlinger (*1984)
premiere: November 11, 2022 at Reaktor, Vienna, Austria
during 35th editionof Wien Modern festival
Production: Konnektom
coproduction: Reaktor, Wien Modern and Association Ryoanji
2021
Syncretismus Hypothesi (2021)
for voice, electronics, flute, violin, cello, tuba, percussion and piano/analogue synthesizer
by Jennifer Walshe (*1974) in collaboration with Mario de Vega and ensemble]h[iatus
coproduction by Festival Musica, Césaré, Le Grame, Association Ryoanji
premiere: September 28, 2021, at musica Festival, Strasbourg, France
further performances: March 16, 2022, at Les Subsistances, Lyon, France
video clip 1 (0:49) | video clip 2 (0:42)
2020
Je Laisse À La Nuit Son Poids D’ombre (2020)
for two voices, flute, clarinet, trombone, tuba, violin, cello, percussion and analogue synthesizer
by Jürg Frey (*1953)
premiere: October 4, 2020 at Festival MAD, Gradignon, France
further performances: October 2, 2021, at Musique Action #37 CCAM, Vandoeuvre-les-Nancy, France
© photo by Elisabeth Frey-Bächli
2016
animalitas (2016)
by ensemble]h[iatus and Aurélie Maisonneuve
Premiere: February 26, 2016 at Théâtre Athénor, Saint-Nazaire, France
Further performances:
January 23, 2017 at Espace Culturel le Grand Lieu, La Chevrolière, France
January 24, 2017 at Espace Culturel Paul Guimard, Saint-Mars-la-Jaille, France
January 26-27, 2017, Espace Pablo Neruda, Clermont-Ferrand, France
2015
Laboratorium (1973 – 1990) for 10 performers
by Vinko Globokar (*1934)
Realisations of the entire work of 55 pieces
November 18-20, 2015 at Théâtre Jean Lurçat, Aubusson, France
Further performances: January 30, 2016 at Les Treize Arches, Brive-la-Gaillarde, France
November 25-26, 2016, Théâtre Athénor, Saint-Nazaire, France
video teaser by Frédérique Ribis
Yuj (2015)
by Clara Cornil, David Subal and ensemble]h[iatus
Premiere: April 28-29, 2015 at CCAM Vandoeuvre-les-Nancy France
Further performances: May 12, 2015, Festival Rencontres Chorégraphiques de Seine-Saint-Denis, Noisy-le-Grand, France, November 10, 2015, Theatre l'Espal, Le Mans, France
2014
Earle Brown / Christian Wolff
Folio (1952/1953) & Four Systems (1954) by Earle Brown (1926-2002)
Or 4 people (1994) by Christian Wolff (*1934)
May 24, 2014 at Festival tage neuer musik graz, Graz, Austria
Further performances: May 26, 2014 at ring ring Festival, Belgrade, Serbia
2013
As Long As Breath Or Bow (2013) for nine performer
by Anthony Pateras (*1979)
commissioned and premiered by ensemble]h[iatus
premiere: December 1, 2013 at Ferme de Villefavard, Limousin, France
further performances: March 27, 2014 at Théâtre des Sept Collines, Tulle, France; April 3, 2014 at Césaré (Centre National de Creation Musicale), Reims, France; April 8, 2014 at Théâtre Berthelot, Montreuil, France
Wash me whiter than snow (2013) for violin and cello
by Jennifer Walshe (*1974)
commissioned and premiered by ensemble]h[iatus
premiere: December 1, 2013 at Ferme de Villefavard, Limousin, France
further performances: December 19, 2013 at Akademie Schloß Solitude, Stuttgart, Germany; March 27, 2014 at Théâtre des Sept Collines, Tulle, France; April 3, 2014 at Césaré (Centre National de Creation Musicale), Reims, France; April 8, 2014 at Théâtre Berthelot, Montreuil, France; November 19, 2016 at Festivals comprovise and Wien Modern
2012
Cinq Ryoanji (2011) by ensemble]h[iatus & La Spirale de Caroline
after the work Ryoanji by John Cage (1912-1992)
January 2012 at Théâtre de Saint Quentin, Yvelines, France
further performances: Festival Danse Émoi, Limoges/FR, January 2011, Opéra de Dijon, Dijon/FR, Jan. 2011, Ferme du Buisson, Noisiel/FR, Feb 2011, Festival Les Journées Électriques, Albi/FR, March 2012, Festival Les Musiques, Marseille, May 2012, Festival Musique Action, Nancy/FR, May 2012, Festival Danse en mai, Brive la Gaillarde/FR, May 2012, Théâtre de la Tempête, Vincennes/FR, June 2012, Les Musiques Démesurées, Clermont-Ferrand/FR, Nov. 2012, Festival Aujourd’hui Musiques, Perpignan/FR, Nov. 2012, Cité de la Musique, Paris, Dec. 2012
2011
Treatise (1967)
by Cornelius Cardew (1936 – 1981)
performed at Festival Schlüsselwerke der Neuen Musik
produced by ON Neue Musik Cologne
Dectember 3, 2011 at Studio of Ensemble Musikfabrik, Cologne
Metta (2011) for ensemble
by Jennifer Walshe (*1974)
commissioned by the Huddersfield Contemporary Music Festival, premiered by ensemble]h[iatus
premiere: November 12, 2011 at Festival November Music, Den Bosch, The Netherlands
further performances:
November 24, 2011 at Huddersfield Contemporary Music Festival, Huddersfield, England
© photo by Blackie Bouffant
2010
De Grands Z (2010) for ensemble
by Jean Christophe Feldhandler (*1962)
commissioned and premiered by ensemble]h[iatus
premiere: November 21, 2010 at Festival Novelum, Toulouse, France
further performances:
April 23, 2010 at Ecole Nationale d'Art et de Design, Aubusson, France
Redraw Space - Rewrite Time
compositions by Earl Brown (1926-2002) and Vinko Globokar (*1934)
by ensemble]h[iatus
September 12, 2010 at Alte Feuerwache, Cologne, Germany,
Schlüsselwerke der Neuen Musik, produced by ON Neue Musik Cologne
beneden (2010) for ensemble, tape and analogue synthesizer
by Peter Jakober (*1977)
commissioned and premiered by ensemble]h[iatus
premiere: January 16, 2010 at Kunst-Station Sankt Peter, Cologne, Germany
further performances:
December 19, 2013, Akademie Schloß Solitude, Stuttgart, Germany
November 19, 2016 at Festivals comprovise and Wien Modern
© photo by Franz Reiterer
Nichtsattrappen 0’04’’ (2009) for ensemble
by Steffen Krebber (*1976)
commissioned and premiered by ensemble]h[iatus
premiere: January 16, 2010 at Kunst-Station Sankt Peter, Cologne, Germany
further performances:
April 23, 2010 at Ecole Nationale d'Art et de Design, Aubusson, France
© photo by unknown
2009
Damdaj (2009) for nine improvisers
by Vinko Globokar (*1934)
commissioned and premiered by ensemble]h[iatus
premiere: September 19, 2009 at Ferme de Villefavard, France
further performances:
September 20, 2009 at Les Instants Chavirés, Montreuil, France; May 18, 2010 at À Bruit Secret#9, Grande Salle de la Mairie, Guéret, France; May 20, 2010 at Festival Musique Action, Vandœuvre-lès-Nancy, France, September 12, 2010 at ON Neue Musik Köln, Cologne, Germany; November 21, 2010, Festival Novelum, Toulouse, France
^
biographies
Martine Altenburger studied violincello with Michel Tournus at the conservatory of Versailles, then completed her studies at the conservatory of Boulogne-Billancourt with Michel Strauss. Master classes with Arto Noras in Savonlinna (Finland) and Anner Bylsma. Since 1988 she started to be a devoted practioner of free improvisation. Co-founder and active member of La Flibuste with Michel Doneda and Lê Quan Ninh. Active member of Ouïe-Dire-Production devoted to a research on the recorded sound objects. Numerous solo and ensemble performance of contemporary pieces, f.e. by Jean-Christophe Feldhandler, John Cage, Kaija Saariaho, Iannis Xenakis. Work with the Aventure Ensemble (Freiburg) with Péter Eötvös. Founder of ensemble]h[iatus.
Tiziana Bertoncini graduated in violin at the Siena Conservatory and in painting at the Fine Arts Academy in Carrara. After being playing in orchestras and chamber music ensembles, she focused on contemporary music, written and improvised. She has been performing in many international festivals and venues and has been part of numerous dance, theatre, video and multi-media projects, contributing the musical part of them. Her solo work includes composition, performance and installation. In 2011 her electro-acoustic piece “Nur Sand” was awarded at the competition Ferrari (r)écouté announced by hr2-kultur, ZKM Karlsruhe. From 1996 to 2001 she was guest artist-lecturer during the New York University summer courses in Italy, leading master classes of improvisation. She was artist in residence at the “Bridge guard – Residential Art/Science Centre” in Stúrovo, Slovakia, at the AIR Krems, Austria, at the Künstlerhaus Otte1 and at the GEDOK Lübeck, Germany.
Classically trained, trombonist Fabrice Charles developes his artistic work in various fields: improvisation, interpretation, creation and pedagogy. He teached trombone and tuba at the National School of Music in Aurillac from 1993-2007. Regularly guest in improvisation Training Center Speaker Musician and contemporary music school, as well as in school programs to sensitize students to the instruments of the family of Brass, and implement practical workshops and creation. Since 1995, he is leading the Band of the Tuft: improvised fanfare composed of non-musicians. With this project, he participated in various activities in France and abroad. This experience led him to devote himself to meetings with various audiences. Besides ensemble]h[iatus he is currently a member of NIPI project trio of trombones (Bomonstre) and aquatic African percussions (Mekutuc).
Isabelle Duthoit studied classical music in the Conservatoire National Superieur de Musique de Lyon. Soon she focused on contemporary music and has been collaborating with several composers. As an improviser she initiated projects like Triolid, Trio Canape (with photo and phonography) and Fogo (rock band). Further she is a member of Six, Sol 12 and a trio with Luc Ex and Johannes Bauer. Since 2000 she developed a particular and personal way of singing, connected to primitive sounds and screams, a voice before language. She sings in duo with Phil Minton and as soloist. In 2008 she was a resident at the Villa Kujoyama in Kyoto (Japan) and she worked with Nô and Bunraku singers. Between 1995 and 2005 she directed Fruits de Mhere, a festival for experimental music, dance, cinema in collaboration with Jacques Di Donato. Since 1997 she has been teacher for clarinet and improvisation at the Evry Music School, Essonne/France.violincello with Michel Tournus at the conservatory of Versailles, then completed her studies at the conservatory of Boulogne-Billancourt with Michel Strauss. Master classes with Arto Noras in Savonlinna (Finland) and Anner Bylsma. Since 1988 she started to be a devoted practioner of free improvisation. Co-founder and active member of La Flibuste with Michel Doneda and Lê Quan Ninh. Active member of Ouïe-Dire-Production devoted to a research on the recorded sound objects. Numerous solo and ensemble performance of contemporary pieces, f.e. by Jean-Christophe Feldhandler, John Cage, Kaija Saariaho, Iannis Xenakis. Work with the Aventure Ensemble (Freiburg) with Péter Eötvös.
Carl Ludwig Hübsch Renowned tuba player, improvisor and composer. International collaborations in Jazz, Improvised and Contemporary Music. Numerous radio- und CD-productions. Composes also music for theatre and for collaborations with visual artists. Toured nearly everywhere. Studied, mostly self taught, tuba, singing, drums and composition in Freiburg and Cologne. Fellowships in USA, Switzerland and Austria. Jazzpott Award Essen. Composes for, leads and co-leads several ensembles of various sizes. Some projects: The Longrun Develoment of the Universe (trio), hübsch acht (octet), Multiple Joy[ce] Orchestra, HÜBSCH/MARTEL/ZOUBEK, Van Bebber/Blonk/Hübsch, EnsembleX, Tuba Solos.
www.huebsch.me
Initially trained in Visual Arts, Géraldine Keller engages a plural approach to voice simultaneously to her research on the relation between costume and body in dance, considering it as a moving sculpture. Since many years now, her preference goes to the creation of contemporary pieces privileging the complementarity of written and improvised music. This affinity accompanies her journey, her meetings and collaborations with a particular attention: sculpt the sound, explore and extend the possibilities of the voice. Since 1992, she participates in numerous music, theatre and choreographic creations throughout Europe.
Lê Quan Ninh won first prize in percussion at the Versailles Conservatory in Sylvio Gualda's class in 1982 and has played with several contemporary music ensembles. He has composed and played music for the theatre, for dance and for video art. He is one of the members of the Quatuor Hêlios, a percussion ensemble which works with composers, among others with Vinko Globokar, George Lewis, Kaija Saariaho, Jean-Christophe Feldhandler and Georges Aperghis. As an improviser, he participates at numerous meetings in Europe and in the USA and plays regularly in ensembles in forms that mix improvised acoustic & electroacoustic music, 'performance art', dance, poetry, experimental cinema, photography and video. From 1992 to 2002 he has been a member and founder of La Flibuste - a network of artists based in the Toulouse area and engaged in the reflection, the organisation and the presentation of free improvisation practices. His discography counts about 40 CD on european and american labels.
www.lequanninh.net
Thomas Lehn studied recording engineering and piano at the Music Academies in Detmold and Cologne. Rooted in his background as an interpreting and improvising pianist in numerous ensemble and solo performances of classical, contemporary notated and improvised musics since the early 1980s, he has been developing an individual language of electronic music. Since the early 1990s he has been performing live-electronic music with analogue synthesizers of the late 1960s in numerous international collaborations like in duetts with Gerry Hemingway, Marcus Schmickler, Paul Lovens, Frédéric Blondy, Tiziana Bertoncini and John Butcher, with whom he works as well in trios with John Tilbury and Matthew Shipp. Other long time groups are KONK PACK, TOOT, THERMAL, SPEAK EASY and SHIFT and the EU-wide electronic orchestra MIMEO. As a synthesizer interpreter he realized works by Éliane Radigue, Bogusław Schaeffer, Anthony Pateras and Peter Jakober, the latter in collaboration with the Klangforum Wien. Repeatedly supported by the Goethe-Institute, he toured in Europe, USA, Canada, Asia, Japan, the Near East, Australia and New Zealand. About 100 CD publications. www.thomaslehn.com
Angelika Sheridan speaks as a flutist (bass and c-flute) an own unique sound language. Through the combination of traditional tone production, extended and self developed techniques she defines the sound of her instrument new, beyond usual flute clichés. Sheridan works internationally as a performer of contemporary written and improvised music. She takes part in different ensembles and projects, also in intermedial contexts, involving dance and silent movies. Angelika Sheridan studied classical flute at the Folkwang Hochschule Essen and studied further improvisation and experimental music with Ran Blake und John Heiss in Boston, USA. She lives in Cologne, Germany, where she teaches at the music conservatory.
www.angelikasheridan.de
^
repertoire
( • premiered by ensemble]h[iatus )
Georges Aperghis (*1945)
Quatre Récitations Pour Cello (1980) for cello solo
Luciano Berio (1925-2003)
Les Mots S'en Sont Allés... Recitativo (1978) for cello solo
O King (1968) soprano, flute, clarinet, violin, cello, piano
Tiziana Bertoncini (*1969)
Nero Lento (2010) for violin solo and tape
Pierre Boulez (*1925)
Domaines (1968) for clarinet solo
Earle Brown (1926-2002)
Folio (1952) for any instrumentation
Four Systems (1954) for any instrumentation
John Cage (1912-1992)
0'00 (4'33" No 2) (1962) for any instrumentation
4'33" (1952) for any instrumentation
But What About The Noise Of Crumpling Paper... (1985) for any instrumentation
C Composed Improvisation For Snare Drum Alone (1990) for percussion solo
Child of Tree (1975)
Etudes Australes (#1) (1975) for piano solo
Five (1988) for various instruments
Four6 (1992) for various instrumentation
Inlets (1977) conch shells
Lecture On Nothing (1950) for reader solo
Music for Amplified Toy Pianos (1960)
Music For ... (1987)
Nowth Upon Nacht (1984) for percussion, voice
One (1987) for piano
One4 (1990) for percussion
One7 (1990) for any instrumentation
One10 (1992) for violin solo
One13 (ryoanji for cello) (1992) for cello
Radio Music (1956)
Ryoanji (1983) for double bass, flute, oboes, percussion, soprano, trombone
Sculptures Musicales (1989) for any instrumentation
Seven Haïku (1952) for piano solo
Sonata For Clarinet (1933) for clarinet solo
Song Books (1970) for voice solo
Suite For Toy Piano (1948) for toypiano solo
Three2 (1991) for percussion solo
Two5 (1991) for piano, trombone
Variations II (1961) for various instruments
Wonderful Widow Of Eighteen Springs (The) (1942) forsoprano and percussion
Cornelius Cardew (196-1981)
Treatise (1967) for any instrumentation
Marco Döttlinger (*1984)
Impossible Artists feat. <…> (2022) for any number of instruments and stereo audio track •
Jean-Christophe Feldhandler (*1962)
De Grands Z (2010) for soprano, violin, cello, clarinet,, flute, trombone, tuba, percussion and piano •
Woman (2005) for cello solo and electronics •
Morton Feldman (1926-1987)
Bass Clarinet And Percussion (1981)
Durations 1 (1960) for flute, violin, cello and piano
Durations 2 (1960) for cello and piano
Four Instruments (1965) for violin, cello, piano and chymes
Trio for Piano, Violin and Cello (1984) for piano, violin, cello
Two Voices And Cello (1973) for soprano, cello and voice
Why Patterns? (1978) for flute, piano and glockenspiel
Joshua Fineberg (*1969)
Paradigms (1993) for flute, clarinet, violin, cello, piano, percussion and tape
Luc Ferrari (1929-2005)
Monologos (1972) for soprano and tape
Jürg Frey (*1953)
Je Laisse À La Nuit Son Poids D’ombre (2020) •
for two voices, flute, clarinet, trombone, tuba, violin, cello, percussion and analogue synthesizer
Vinko Globokar (*1934)
Damdaj (2009) for nine improvisers •
Par une forêt de symbole (1986) for six musicians
Laboratorium (1973-1990) for 10 performers
Hans Joachim Hespos (*1938)
Nai (1970)
Carl Ludwig Hübsch (*1966)
NGC 2279: Soloist At Fringe/Horizon In Dawn (2004) for any instrumentation
Peter Jakober (*1977)
beneden (2010) for ensemble (soprano, flute, clarinet, violin, cello, tuba, trombone and percussion), tape and analogue synthesizer •
Brauchen (2022) for ensemble and tape •
mehr, ein wenig (2008) for violin, cello, organ pipes and tape
Puls 2 (2005) for cello and tape
weit beisammen (2010) for flute, clarinet and live electronics
Steffen Krebber (*1976)
Aufstieg und Fall ausserweltlicher Flug- und Kriechtierattrappen im 27. und 28. Jahrhundert (2008)
for flute, clarinet, violin, cello, piano, percussion and tape
Nichtsattrappen 0'03'' (2009) for soprano, flute, clarinet, violin and cello
Nichtsattrappen 0'04'' (2010) for soprano, flute, clarinet, violin, cello, trombone, tuba, piano and percussion •
György Kurtàg (*1926)
Kafka-Fragmente (1985) for violin and soprano
Helmut Lachenmann (*1935)
Allegro Sostenuto (1988) for clarinet, cello and piano
Pression (1970) for cello solo
Lê Quan Ninh (*1961)
Awoman (2006) for cello and electronics
Musique Spectrale À Petit Budget (1996) for percussion
Oscille (1997) for electronics solo
Alvin Lucier (*1931)
Charles Curtis (2002) for live electronics, cello
I'm Sitting In A Room (1969)
In Memoriam John Higgins (1984) live electronics, clarinet
Music For Cello with One or More Amplified Vases (1993) for cello
Music for Snare Drum, Pure Wave Oscillators and One of More Reflective Surfaces (1990) live electronics, perc.
Silver Streetcar for the Orchestra (1988) for percussion
Still moving Lines of Silence in Families of Hyperbolas (1974)
Wind Shadows (1994) for trombone and oscillators
François Bernard Mâche (*1935)
Muwatali (1984) for voice solo
Anthony Pateras (*1979)
As Long As Breath Or Bow (2013) for ensemble •
Arnaud Petit (*1971)
Adonis (2008) for soprano solo
Kaija Saariaho (*1952)
Mirrors (1997) for flute and cello
Petals (1988) for cello and electronics
Dieter Schnebel (*1930)
Handwerke-Blaswerke (1977) for any instrumentation
NC (Nuova Consonanza) (1995) for 2-4 melody instruments and 1 sound device
Sysiphos (1990) for clarinet and trombone
Giacinto Scelsi (1905-1988)
Taiagaru (1962) for soprano solo
Salvatore Sciarrino (*1947)
Per Mattia (1975) violin solo
Zack Settel (*1957)
Hok Pwah (1993) for soprano,, percussion and electronics
James Tenney (1934-2006)
Having Never Written A Note For Percussion (1971) for percussion solo
Jennifer Walshe (*1974)
Metta (2011) for nine musicians •
Thelma Mansfield (2008) for flute, piano and percussion
Hygiene (2011) for 10 performers
Wash Me Whiter Than Snow (2013) for violin and cello •
Syncretismus Hypothesi (2021) for voice, electronics, flute, violin, cello, tuba, percussion and piano/synthesizer •
Christian Wolff (*1934)
Or 4 people (1994) for any instrumentation
La Monte Young (*1935)
Poem (1960) for chairs, tables, benches, etc.
Younghi Pagh-Paan (*1945)
Bi-Yu (1999) for soprano, bass flute, clarinet and cello
^
discography
ensemble]h[iatus/Peter Jakober | Anthony Pateras | November Music
^ ^^
![ensemble]h[iatus-Peter Jakober_l.jpg](../images/cd_hiatus_jakober_p1.jpg)
ensemble]h[iatus / Peter Jakober
Produced and released February 2017 by Césarè, www.cesare-cncm.com
Catalog No.: Césaré 16/10/17/1
track listing:
1. Peter Jakober – beneden (2009) [13:44]
2. ensemble]h[iatus – improvisation 01 [9:13]
3. Peter Jakober – mehr, ein wenig (2008) [10:14]
4. ensemble]h[iatus – improvisation 02 [17:05]
5. Peter Jakober – weit beisammen (2010) [9:33]
6. ensemble]h[iatus – improvisation 03 [7:32]
Sensitive mathematics
Whilst using mathematics to structure his works - specially to allow the deployment of complex systems of synchronisation and desynchronisation - , Peter Jakober inhabits the sound material from the inside, as if the fact that its vibrations are vehicled by multiple and differential pulsations drives him to become more possessed and hypersensitive to them. If we find in the music of this young composer something of trance, this is always destabilised or reinforced by the superimposition of several temporalities, by the play of the slippings of definitions, and by the emergence - both unforeseen and precise - of new sound colours. But the numerical systems that underpin and integrate the chance elements in each of his compositions are not immediately available to the ear: the listener is drawn, rather, into a total physical engagement in which a primary act of breathing is brought to life by the physical presence of the body.
Improvising within the ensemble]h[iatus
Before and after the moment of playing, improvising together, released into the uninterrupted flow of immediate circumstances, both acting on them and driven by them, compelled to live the experience of the moment. It is the moment – which appears here because it is collectively traversed – which makes it all work, in this special movement in which action and contemplation cease to grow apart from one another. More interacting than reacting, each of us adjusts to the phenomena in progress, freeing memory and projection, forgetting ourselves, opening up to influences, accepting every break, every surprise and every sign of continuity.
^ ^^
Anthony Pateras – Collected Works Vol. II
includes the studio recording of As Long As Breath Or Bow (2013) for nine performers performed by ensemble]h[iatus
Released April 1, 2019 on label Immediata
Catalogue no.: IMM015
Recorded by Christophe Germanique, Ferme de Villefavard, July 2018
Mixed by Anthony Pateras, Akademie Schloss Solitude, Stuttgart, August 2018
^ ^^
November Music 2011 – Various Artists
includes the recording of the premiere of Metta (2011) for ensemble
by Jennifer Walshe (*1974) performed by ensemble]h[iatus
Commissioned by the Huddersfield Contemporary Music Festival
Recorded by Glenn Mogot on November 12, 2011, at Musikzentrum s'Hertogenbosch, Den Bosch, The Netherlands, during festival November Music n
Label: November Music, Catalog no.: NM 015
^
performances
upcoming | past
^
upcoming performances
^
past performances
2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023
^ ^^
2023
Sat. April 15, Blois @ Fondation du doute
DIVERTIS[SONS]-NOUS
program: FLUXUS pieces and works by Vinko Globokar
Geraldine Keller (soprano), Tiziana Bertoncini (violin), Martine Altenburger (violoncello), Isabelle Duthoit (clarinet),hilary Jeffrey (trombone), Carl Ludwighübsch (tuba), Lê Quan Ninh (percussion) and Thomas Lehn (analogue synthesizer)
^ ^^
2022
Fri. November 11 & Sat. November 12, Vienna @ REAKTOR / Wien Modern #35
BRAUCHEN
a perfomative concert evening and collaborative project conceived by Peter Jakober, Marco Döttlinger, Alexander Martinz, Thomas Hörl, Peter Kozek, Anna Resch and Sebastian Jobst, including compositions by Carola Bauckholt: Polizeitrieb (1985/1989), Marco Döttlinger - impossible artists feat. <..> (2022), Peter Jakober - brauchen (2022), Alexander Martinz - Brauchen (Pausen) (2022), and choreography, video, interactive objects by Thomas Hörl and Peter Kozek .
performed by ensemble]h[iatus (interpretation, performance, co-composition): Géraldine Keller (voice), Angelika Sheridan (flute), Tiziana Bertoncini (violin), Martine Altenburger (cello), Isabelle Duthoit (clarinet), Carl Ludwig Hübsch (tuba), Fabrice Charles (trombone), Lê Quan Ninh (percussion) and Thomas Lehn (piano, analogue synthesizer), as well as Anna Resch and Sebastian Jobst (interactive objects). production management & organization: Konnektom, Anna Resch and Sebastian Jobst. [trailer]
Wed. March 16, Lyon @ Les Subsistances
Syncretismus hypothesi
a collaborative work by Jennifer Walshe, Mario de Vega and ensemble]h[iatus
performed by Angelika Sheridan (flute), Tiziana Bertoncini (violin), Martine Altenburger (cello), Carl Ludwig Hübsch (tuba), Lê Quan Ninh (percussion) and Thomas Lehn (piano, analogue synthesizer), Jennifer Walshe (voice, trumpet) and Mario de Vega ( (objects, electronics)
^ ^^
2021
Sat. October 2, Vandoeuvre-les-Nancy/FR @ CCAM / Musique Action #37
program: Je laisse à la nuit son poids d’ombres (2019/2020) by Swiss composer Jürg Frey
Géraldine Keller & Hélène Fauchère (voice), Angelika Sheridan (flute), Tiziana Bertoncini (violin), Martine Altenburger (cello), Isabelle Duthoit (clarinet), Fabrice Charles (trombone), Laurent Guitton (tuba), Lê Quan Ninh (percussion) and Thomas Lehn (analogue synthesizer)
Tue. September 28, Strasbourg @ Musica Festival
Syncretismus hypothesi
premiere of Syncretismus hypothesi (2021), a collaborative work by Jennifer Walshe, Mario de Vega and ensemble]h[iatus
performed by Angelika Sheridan (flute), Tiziana Bertoncini (violin), Martine Altenburger (cello), Carl Ludwig Hübsch (tuba), Lê Quan Ninh (percussion) and Thomas Lehn (piano, analogue synthesizer), Jennifer Walshe (voice, trumpet) and Mario de Vega ( (objects, electronics)
Thu. September 16, Schwaz @ Klangspuren
program: as long as breath or bow (2013) by Anthony Pateras, 1984 IT'S O.K. (2015) and improvisations
Géraldine Keller (voice), Angelika Sheridan (flute), Tiziana Bertoncini (violin), Martine Altenburger (cello), Isabelle Duthoit (clarinet), Carl Ludwig Hübsch (tuba), Fabrice Charles (trombone), Lê Quan Ninh (percussion) and Thomas Lehn (piano, analogue synthesizer)
^ ^^
2020
Sun. October 4, Gradignan/FR @ Théâtre des Quatre Saisons / Festival MAD
Je laisse à la nuit son poids d’ombres
program: world premiere of Je laisse à la nuit son poids d’ombres (2019/2020) by Swiss composer Jürg Frey
Géraldine Keller & Hélène Fauchère (voice), Angelika Sheridan (flute), Tiziana Bertoncini (violin), Martine Altenburger (cello), Isabelle Duthoit (clarinet), Fabrice Charles (trombone), Laurent Guitton (tuba), Lê Quan Ninh (percussion) and Thomas Lehn (analogue synthesizer)
^ ^^
2019
Thu. October 3, Albi/FR @ Festival Riverrun
program: as long as breath or bow (2013) byAnthony Pateras, 1984 IT'S O.K. (2015) and Thelma Mansfield (2008) by Jennifer Walshe
Éléonore Lemaire (voice), Angelika Sheridan (flute), Tiziana Bertoncini (violin), Martine Altenburger (cello), Isabelle Duthoit (clarinet), Carl Ludwig Hübsch (tuba), Fabrice Charles (trombone), Lê Quan Ninh (percussion) and Thomas Lehn (piano, analogue synthesizer)
Tue. October 1, Strasbourg/FR @ Festival musica
For human and non-human beings
program: Wash me whiter than snow (2013), Facebook Chorus and My Dog & I (2017)anb
Clara Cornil (dance), Angelika Sheridan (flute), Tiziana Bertoncini (violin), Martine Altenburger (cello), Lê Quan Ninh (percussion) and Thomas Lehn (piano, analogue synthesizer) perform works by Jennifer Walshe: nature data (2004/2019),
Mon. September 30, Reims/FR @ the caves of Taittinger Champagne
program: Fluxus pieces
Thu. September 26, Cologne @ Alte Feuerwache
program: Jennifer Walshe: Wash me whiter than snow (2013), Thelma Mansfield (2008) and 1984 IT'S O.K. (2015)
Angelika Sheridan (flute), Tiziana Bertoncini (violin), Martine Altenburger (cello), Lê Quan Ninh (percussion) and Thomas Lehn (piano, analogue synthesizer)
Fri. June 21, Besancon @ Frac / La Fête de la Musique
program: Fluxus pieces performed by Martine Altenburger, Tiziana Bertoncini, Isabelle Duthoit, Géraldine Keller, Fabrice Charles, Lê Quan Ninh and Thomas Lehn
© photo by unknown
^ ^^
2018
Sun. November 18, Wien @ Alte Schmiede / Wien Modern #31
Rewrite Space Redraw Time
program: Folio (1952-1953) & 4 Systems (1954) by Earl Brown and music by ensemble]h[iatus
Tiziana Bertoncini (violin), Martine Altenburger (violoncello), Angelika Sheridan (flute & bass flute),
Joris Rühl (clarinet), Fabrice Charles (trombone), Carl Ludwig Hübsch (tuba), Lê Quan Ninh (percussion) and Thomas Lehn (piano & analogue synthesizer)
Tue. June 19, Toulx-Sainte-Croix/FR @ Eglise de Toulx-Sainte-Croix
program: as long as breath or bow (2013) by Anthony Pateras and music by ensemble]h[iatus
Performed by Géraldine Keller (soprano), Tiziana Bertoncini (violin), Martine Altenburger (violoncello), Angelika Sheridan (flute & bass flute), Isabelle Duthoit (clarinet), Fabrice Charles (trombone), Carl Ludwig Hübsch (tuba), Lê Quan Ninh (percussion) and Thomas Lehn (analogue synthesizer)
^ ^^
2017
November 14/15/16, Clermont-Ferrand/FR @ Les Musiques Démesurées
Laboratorium (1973-1985) by Vinko Globokar
performed by ensemble]h[iatus with Géraldine Keller (coordinator, conductor), Tiziana Bertoncini (violin, objects), Martine Altenburger (cello, objects), Angelika Sheridan (flutes, objects), Isabelle Duthoit (clarinet, objects), Fabrice Charles (trombone, objects), Carl Ludwig Hübsch (tuba, objects), Lê Quan Ninh & Théo Mérigeau (percussion, objects), Laure Beretti (harp, objects) and Thomas Lehn (piano, analogue synthesizer, objects)
^ ^^
2016
November 25 - 26, St. Nazaire/FR @ Théâtre Athénor
Laboratorium (1973-1985) by Vinko Globokar
with Géraldine Keller (coordinator, conductor, synthesizer), Tiziana Bertoncini (violin, objects), Martine Altenburger (cello, objects), Angelika Sheridan (flutes, objects), Isabelle Duthoit (clarinet, objects), Fabrice Charles (trombone, objects), Carl Ludwig Hübsch (tuba, objects), Lê Quan Ninh & Théo Mérigeau (percussion, objects), Laure Beretti (harp, objects) and Thomas Lehn (piano, analogue synthesizer, objects)
Sat. November 19, Vienna @ brick-5 [map]
comprovise #2
poduced by ISCM in framework of Wien Modern
ensemble]h[iatus
beneden (2009) by Peter Jakober, wash me whiter than snow (2013) by Jennifer Walshe
with Géraldine Keller (voice), Tiziana Bertoncini (violin), Martine Altenburger (cello), Angelika Sheridan (flutes), Isabelle Duthoit (clarinet), Fabrice Charles (trombone), Carl Ludwig Hübsch (tuba), Lê Quan Ninh (percussion) and Thomas Lehn (analogue synthesizer)
With the kind support of ISCM Austria Région Nouvelle-Aquitaine Institut Français d’Autriche Institut Français Paris
Wed. November 16, Vienna @ University of Music and Performing Arts, Gottwaldsaal, 2nd floor [map]
comprovise #2
produced by ISCM in framework of Wien Modern
lecture performance
with Géraldine Keller (voice), Tiziana Bertoncini (violin), Martine Altenburger (cello), Fabrice Charles (trombone), Carl Ludwig Hübsch (tuba), Lê Quan Ninh (percussion) and Thomas Lehn (analogue synthesizer) and Peter Jakober (composition)
With the kind support of ISCM Austria Région Nouvelle-Aquitaine Institut Français d’Autriche Institut Français Paris
January 30, Brive-la-Gaillarde/FR @ Les Treize Arches
Laboratorium (1973-1985) by Vinko Globokar
with Géraldine Keller (coordinator, conductor, synthesizer), Tiziana Bertoncini (violin, objects), Martine Altenburger (cello, objects), Angelika Sheridan (flutes, objects), Isabelle Duthoit (clarinet, objects), Fabrice Charles (trombone, objects), Carl Ludwig Hübsch (tuba, objects), Lê Quan Ninh & Théo Mérigeau (percussion, objects), Laure Beretti (harp, objects) and Thomas Lehn (piano, analogue synthesizer, objects)
^ ^^
2015
November 18-20, Aubusson/FR @ Théâtre Jean Lurçat
Laboratorium (1973-1985) by Vinko Globokar
(complete version of 55 pieces)
with Géraldine Keller (coordinator, conductor, synthesizer), Tiziana Bertoncini (violin, objects), Martine Altenburger (cello, objects), Angelika Sheridan (flutes, objects), Isabelle Duthoit (clarinet, objects), Fabrice Charles (trombone, objects), Carl Ludwig Hübsch (tuba, objects), Lê Quan Ninh & Théo Mérigeau (percussion, objects), Laure Beretti (harp, objects) and Thomas Lehn (piano, analogue synthesizer, objects)
^ ^^
2014
Mon. May 26, Belgrade @ Culture Center REX / RING RING Festival
program: Folio (1952/1953) & Four Systems (1954) by Earl Brown, Or 4 people (1994) by Christian Wolff and music by ensemble]h[iatus.
Performed by Tiziana Bertoncini (violin), Lê Quan Ninh (percussion) and Thomas Lehn (synthesizer & piano)
Sat. May 24, 18h, Graz/AT @ tage neuer musik graz / open music / Großer Minoritensaal
program: Folio (1952/1953) & Four Systems (1954) by Earl Brown, Or 4 people (1994) by Christian Wolff and music by ensemble]h[iatus.
Performed by Tiziana Bertoncini (violin), Martine Altenburger (violoncello), Lê Quan Ninh (percussion) and Thomas Lehn (piano & analogue synthesizer)
Tue. April 8, Montreuil/FR @ Théâtre Berthelot / Instants Chavirés
Thu. April 3, Reims/FR @ Centre National de Création Musicale Césaré
Thu. March 27, Tulle/FR @ Théâtre des Sept Collins
program: as long as breath or bow (2013) by Anthony Pateras, Wash Me Whiter Than Snow (2013) and Hygiene (2011) by Jennifer Walshe as well as music by ensemble]h[iatus.
Performed by Géraldine Keller (soprano), Tiziana Bertoncini (violin), Martine Altenburger (violoncello), Angelika Sheridan (flute & bass flute), Isabelle Duthoit (clarinet), Fabrice Charles (trombone), Carl Ludwig Hübsch (tuba), Lê Quan Ninh (percussion) and Thomas Lehn (piano & analogue synthesizer)
^ ^^
2013
Thu. December 19, Stuttgart @ Akademie Schloss Solitude
program: weit beisammen (2010), mehr, ein wenig (2008), beneden (2010) by Peter Jakober and Wash Me Whiter Than Snow (2013) by Jennifer Walshe and music by ensemble]h[iatus.
Performed by Géraldine Keller (soprano), Tiziana Bertoncini (violin), Martine Altenburger (violoncello), Angelika Sheridan (flute & bass flute), Isabelle Duthoit (clarinet), Matthias Muche (trombone), Carl Ludwig Hübsch (tuba), Lê Quan Ninh (percussion) and Thomas Lehn (piano & analogue synthesizer)
Sun. December 1, Villefavard/FR @ Ferme de Villefavard
program: premiere of the works as long as breath or bow (2013) by Anthony Pateras
and Wash Me Whiter Than Snow (2013) by Jennifer Walshe as well as music by ensemble]h[iatus.
Performed by Géraldine Keller (soprano), Tiziana Bertoncini (violin), Martine Altenburger (violoncello), Angelika Sheridan (flute & bass flute), Isabelle Duthoit (clarinet), Fabrice Charles (trombone), Carl Ludwig Hübsch (tuba), Lê Quan Ninh (percussion) and Thomas Lehn (piano & analogue synthesizer)
Tue. November 26, Tulle/FR @ Théâtre des Sept Collins
program: John Cage: One (1987), One4 (1990), One7 (1990), One10 (1992), Music For Amplified Toy Pianos (1960), But what about the noise of crumpling paper... (1985), Branches (1976)
Tiziana Bertoncini (violin), Martine Altenburger (cello), Lê Quan Ninh (percussion), Thomas Lehn (synthesizer, piano)
Sat. July 20, Île de Vassivière/FR @ Destination Ailleurs
Sun. July 21, Île de Vassivière/FR @ Destination Ailleurs
L'Écoute Stupéfaite
program: Georges Aperghis, Luciano Berio, John Cage, Morton Feldman, Vinko Globokar (Par une forêt de symbole), Helmut Lachenmann, György Ligeti, Alvin Lucier, Eliane Radigue (OCCAM VI), Kaija Saariaho, Giacinto Scelsi, Kurt Schwitters, James Tenney, Iannis Xenakis and members of ensemble]h[iatus
Performed by Géraldine Keller (voice), Tiziana Bertoncini (violin), Martine Altenburger (cello), Fabrice Charles (trombone), Lê Quan Ninh (percussion), Thomas Lehn (synthesizer, toy piano) and Li Ping Ting (dance)
performing Vinko Globokar Par une forêt de symbole in Vassivière © photo by Eric Dierstein
Sat. June 8, Beynac-et-Cazenac/FR @ Parvis de l'Église
John Cage : Nature and Indeterminacy
program: John Cage: variations II (1961), Suite for Toy Piano (1948), One7 (1990), One10 (1992), Composed Improvisation (for One-Sided Drums With or Without Jangles) (1990), But what about the noise of crumpling paper which he used to do in order to paint the series of 'Papiers froisses' or tearing up paper to make 'Papiers dechires?' Arp was stimulated by water (sea, lake, and flowing waters like rivers), forests (1985)
Performed by Martine Altenburger (cello), Tiziana Bertoncini (violin), Lê Quan Ninh (percussion) and Thomas Lehn (synthesizer, toy piano)
^ ^^
2012
Sat. Dec. 8, Reims/FR @ Césaré / Reims Scènes d'Europe
ensemble]h[iatus & Jennifer Walshe
program: Thelma Mansfield (2008), HYGENIE (2010) and METTA (2011, UK premiere) by Jennifer Walshe as well as improvisations by Jennifer Walshe & ensemble]h[iatus.
With Jennifer Walshe (voice), Géraldine Keller (soprano), Tiziana Bertoncini (violin), Martine Altenburger (violoncello), Angelika Sheridan (flute & bass flute), Isabelle Duthoit (clarinet), Hilary Jeffrey (trombone), Carl Ludwig Hübsch (tuba), Lê Quan Ninh (percussion) and Thomas Lehn (piano & analogue synthesizer)
Thu. November 22, Reims @ Villa Douze
Parcours John Cage
program: John Cage: 0'00", Lecture on nothing, Suite for Toy Piano, One7, Radio Music, But what about..., Music for three. Performed by ensemble]h[iatus: with Martine Altenburger (cello), Tiziana Bertoncini (violin), Hilary Jeffery (trombone), Nicolas Desmarchelier (acoustic guitar) and Thomas Lehn (synthesizer & toy piano)
^ ^^
2011
Sat. December 3, Cologne @ Studio musikFabrik | Festival Schlüsselwerke der Neuen Musik
Cornelius Cardew - Treatise (1967)
With Géraldine Keller (soprano), Tiziana Bertoncini (violin), Martine Altenburger (violoncello), Angelika Sheridan (flute & bass flute), Isabelle Duthoit (clarinet), Thierry Madiot (trombone), Carl Ludwig Hübsch (tuba), Lê Quan Ninh (percussion) and Thomas Lehn (piano & analogue synthesizer)
[flyer] [poster]
Thu. November 24, Huddersfield/UK @ Huddersfield Contemporary Music Festival
Sat. November 12, Den Bosch/NL @ November Music
ensemble]h[iatus & Jennifer Walshe
program: Thelma Mansfield (2008), HYGENIE (2010) and and METTA (2011, UK premiere) by Jennifer Walshe as well as improvisations by Jennifer Walshe & ensemble]h[iatus.
With Jennifer Walshe (voice), Géraldine Keller (soprano), Tiziana Bertoncini (violin), Martine Altenburger (violoncello), Angelika Sheridan (flute & bass flute), Isabelle Duthoit (clarinet), Thierry Madiot (trombone), Carl Ludwig Hübsch (tuba), Lê Quan Ninh (percussion) and Thomas Lehn (piano & analogue synthesizer)
Sat. September 10, Cologne @ Musikhochschule Köln
Kölner Musiknacht
with Géraldine Keller (soprano), Tiziana Bertoncini (violin), Martine Altenburger (violoncello), Angelika Sheridan (flute & bass flute), Isabelle Duthoit (clarinet), Thierry Madiot (trombone), Carl Ludwig Hübsch (tuba), Lê Quan Ninh (percussion) and Thomas Lehn (piano & analogue synthesizer)
Sat. April 23, Aubusson/F @ Ecole Nationale d'Art et de Design
program: De Grands Z (2010) by Jean Christophe Feldhandler, Nichtsattrappen 0'04" (2010) by Steffen Krebber, Mehr, ein wenig (2008) by Peter Jakober and music by ensemble]h[iatus. Géraldine Keller (soprano), Tiziana Bertoncini (violin), Martine Altenburger (violoncello), Angelika Sheridan (flute & bass flute), Isabelle Duthoit (clarinet), Thierry Madiot (trombone), Carl Ludwig Hübsch (tuba), Lê Quan Ninh (percussion) and Thomas Lehn (piano & analogue synthesizer)
^ ^^
2010
Sun. November 21, Toulouse @ Festival Novelum
program: De Grands Z by Jean Christophe Feldhandler (wolrd premiere), Damdaj by Vinko Globokar and works by ensemble]h[iatus
with Géraldine Keller (soprano), Tiziana Bertoncini (violin), Martine Altenburger (violoncello), Angelika Sheridan (flute & bass flute), Isabelle Duthoit (clarinet), Thierry Madiot (trombone), Carl Ludwig Hübsch (tuba), Lê Quan Ninh (percussion) and Thomas Lehn (piano & analogue synthesizer)
Sun. September 12, 20:00 h Cologne @ Alte Feuerwache
Festival Schlüsselwerke der Neuen Musik : REWRITE SPACE REDRAW TIME
ensemble]h[iatus
performs Folio & 4 Systems by Earl Brown, Damdaj by Vinko Globokar and works by ensemble]h[iatus
with Géraldine Keller (soprano), Tiziana Bertoncini (violin), Martine Altenburger (violoncello), Angelika Sheridan (flute & bass flute), Isabelle Duthoit (clarinet), Thierry Madiot (trombone), Carl Ludwig Hübsch (tuba), Lê Quan Ninh (percussion) and Thomas Lehn (piano & analogue synthesizer)
[flyer]
Tue. May 18, Gueret/F @ Conservatoire à Rayonnement Départemental de la Creuse
Thu. May 20, Vandoeuvre-les-Nancy/F @ Musique Action
Damdaj by Vinko Globokar
with Géraldine Keller (soprano), Tiziana Bertoncini (violin), Martine Altenburger (violoncello), Angelika Sheridan (flute & bass flute), Isabelle Duthoit (clarinet), Thierry Madiot (trombone), Carl Ludwig Hübsch (tuba), Lê Quan Ninh (percussion) and Thomas Lehn (piano & analogue synthesizer)
Sat. January 16, Cologne @ Kunst-Station Sankt Peter
Portrait Concert Peter Jakober & Steffen Krebber
program: world premieres of Peter Jakober, beneden (2010) and Steffen Krebber, Nichtsattrappen 0’04’’ (2009), as well as Puls 2 (2005), Mehr, ein Wenig (2008) by Peter Jakober and Aufstieg und Fall ausserweltlicher Flug- und Kriechtierattrappen im 27. und 28. Jahrhundert (2008), Nichtsattrappen 0'02'' (2009) by Steffen Krebber
with Géraldine Keller (soprano), Tiziana Bertoncini (violin), Martine Altenburger (violoncello), Angelika Sheridan (flute & bass flute), Joris Rühl (clarinet), Thierry Madiot (trombone), Carl Ludwig Hübsch (tuba), Lê Quan Ninh (percussion) and Thomas Lehn (piano & analogue synthesizer)
video fragments by Markus Krispel:
Peter Jakober beneden fragment 1 2:30
Peter Jakober beneden fragment 2 2:04
^ ^^
2009
Sat. December 12, Aubusson/F @ Musée départemental de la tapisserie
A Bruit Secret #6 : Spectral Music.
program: Paradigms (1993) by Joshua Fineberg, Mirrors (1997) by Kaija Saariaho, Musique Spectrale à Petit Budget (1996) by Lê Quan Ninh and works by ensemble]h[iatus
with Tiziana Bertoncini (violin), Martine Altenburger (violoncello), Angelika Sheridan (flute & bass flute), Isabelle Duthoit (clarinet), Lê Quan Ninh (percussion) and Thomas Lehn (piano & analogue synthesizer)
Sat. September 19, Villefavard/France @ Ferme de Villefavard
Damdaj by Vinko Globokar (world premiere)
Sun. September 20, Montreuil @ Instants Chavirés
Damdaj by Vinko Globokar
with Géraldine Keller (soprano), Tiziana Bertoncini (violin), Martine Altenburger (violoncello), Angelika Sheridan (flute & bass flute), Isabelle Duthoit (clarinet), Thierry Madiot (trombone), Carl Ludwig Hübsch (tuba), Lê Quan Ninh (percussion) and Thomas Lehn (piano & analogue synthesizer)
^ ^^
2008
Sat. September 20, Cologne @ Kunst-Station Sankt Peter
Kölner Musiknacht 2008
program: John Cage Sculptures Musicales (1989), Giacinto Scelsi Taiagarù (1962) and works by ensemble]h[iatus
with with Géraldine Keller (soprano), Martine Altenburger (violoncello), Tiziana Bertoncini (violin), Carl Ludwig Hübsch (tuba), Lê Quan Ninh (percussion), Thomas Lehn (piano & analogue synthesizer) & Angelika Sheridan (flute & bass flute)
Tue. May 6, Vandoeuvre-les-Nancy @ Musique Action #25 Festival
Wed. April 30, Cologne @ Kunst-Station Sank Peter [ flyer: pdf ]
Sun. April 27, Cologne @ Institut Français > lecture performance
program: Morton Feldman Four Instruments, Younghi Pagh-Paan Bi-Yu, Dieter Schnebel NC (Nuova Consonanza)
and works by ensemble]h[iatus
with Martine Altenburger (violoncello), Tiziana Bertoncini (violin), Isabelle Duthoit (clarinet), Géraldine Keller (voice), Lê Quan Ninh (percussion), Thomas Lehn (piano & analogue synthesizer), Thierry Madiot (trombone) & Angelika Sheridan (flute & bass flute)
Tue. March 25, Vandoeuvre-les-Nancy @ CCAM
Sun. March 23, Moutier @ La Métive
Sat. March 22, Boussac @ Ecole Primaire
program: Morton Feldman Why patterns, Dieter Schnebel Sysiphos, John Cage Sculptures Musicales and works by ensemble]h[iatus
with Isabelle Duthoit (clarinet), Lê Quan Ninh (percussion), Thomas Lehn (piano & analogue synthesizer), Thierry Madiot (trombone) & Angelika Sheridan (flute & bass flute)
^ ^^
2007
Sat. May 19, Vandoeuvre-les-Nancy
Musique Action Festival
program: Luciano Berio (o king), Joshua Fineberg (Paradigms), Jean-Christophe Feldhandler (a woman) and ensemble]h[iatus.
with Martine Altenburger (cello), Lê Quan Ninh (percussion), Géraldine Keller (voice), Angelika Sheridan (fl), Isabelle Duthoit (clarinet), Tiziana Bertoncini (violin) and Thomas Lehn (pianoa, analogue synthesizer)
Fri. April 13, Toulouse @ Le Ring
program: Luciano Berio (o king), Joshua Fineberg (Paradigms), Jean-Christophe Feldhandler (a woman) and ensemble]h[iatus.
with Martine Altenburger (cello), Lê Quan Ninh (percussion), Géraldine Keller (voice), Angelika Sheridan (fl), Isabelle Duthoit (clarinet), Tiziana Bertoncini (violin) and Thomas Lehn (pianoa, analogue synthesizer)
^
^
updated on July 3, 2024